Tuesday, October 23, 2012

Collectors Are a Vital Part of My Life As an Artist.


     









Many people have asked me if it's hard for me to part with my paintings.  They are surprised when I say that it isn't.  It is a joy to me, knowing that someone loves a painting of mine enough to want to own it.  If I didn't sell my paintings, we would be swimming in them.  

My collectors are a blessing to me. By hanging my works in their homes, they make room in mine for me to create more.  They open a space in my home and my psyche, for me to fill with another creation.  When I say, "Thank you," to my collectors, I am thanking them for all of these things.
"Rainy Twilight, Gouldsboro," 10 x 8 acrylic on linen board, copyright Joan Cole

"Rainy Twilight, Gouldsboro" is one of my favorite pieces.  It is one of the few that I did entirely in the studio after we came home from Maine in July.  Jan Blencowe, Claudia Post, and I had all wanted to stop and paint a bog, hoping to have a moose come out and pose for us.  Not only did we run out of time in our enthusiasm for painting from morning till night, but we never saw a moose--bog or no bog!  

Jan and I were determined to at least stop and take photographs of this one in Gouldsboro, not far from the Bartlett Winery.  I'm so glad we didThis piece gave me much pleasure because I painted it when I needed to take breaks from working on pieces that I had begun in Maine.

"Lobstahhh Boat," 6 x 16" Acrylic on Canson Paper on archival matboard, copyright Joan Cole
"Lobstahhh Boat" is one of those I began on location and completed in my studio.  What had appealed to me in Sorrento harbor was the row of dories tied to the left and right sides of the primary dock.  I managed to get that much of the painting blocked in and a quick sketch of the lobster boat cruising on out, but I needed to take more time to get the details in that mattered to me.  

What began in plein air was finished in the plain air of my own studio.  I enjoy both kinds of painting.  Painting on location is invigorating because of the multitude of subjects calling out for attention.  That is the challenge:  to decide what to put in and what to leave out.  The added challenge for me is to see whether I can capture what it is I see in the limited time I'm there.  When I can't complete the piece in one sitting, I rely on photographs and memory to get the work done.

I will deliver both  "Lobstahhh Boat" and "Rainy Twilight, Gouldsboro" to their new owner tomorrow.  She is excited and so am I.  Thank you so much, K.T. for coming to The Maine Attraction and for your support.

 


Monday, October 22, 2012

The Maine Attraction Art Exhibition was a Great Success!

I want to thank Claudia Post, Jan Blencowe, and Lou Zucci for inviting me to be a part of their Maine adventure this past July.  The opportunity itself was a wonderful experience for me--the chance to paint along side two professional artists.  I was pushed to keep up with them. 
Kris and Guy Occhino from Attleboro, Massachusetts, enjoyed talking with Lou about his work.  Note "Mr. Lobster" peeking over Guy's shoulder

I also want to thank everyone who visited The Maine Attraction Art Exhibition.  You made the show complete.  Seeing your reactions to our work, overhearing your comments, visiting with you--this was the highlight for me.

My collectors know how much I appreciate their support.  Thank you, everyone.

Sunday, October 21, 2012

I Have A Confession To Make....

"Mark Island Light," 6 x 12" acrylic on stretched canvas, copyright Joan Cole

I have been painting for more years than half the population of the United States.  (If I were more knowledgeable about statistics, that figure should probably be 75% or 99.44%!)

Anyway, for years now I have been marketing myself as an artist.  I have been fortunate enough to sell my work for more than 40 years.  I have been in a gallery daily for over two years, even serving as its president for one.
"The Saco River," 11 x 14" acrylic on stretched linen, copyright Joan Cole

But I have a secret to tell you.  I never really believed that I was an artist, even though I knew I had to pretend to be one if I were to sell my work. 

Having been one of the four artists in The Maine Attraction Art Exhibit I can honestly say that this morning I awoke with the realization that I really AM! 

I just had to confess.

The show closes at 6 PM today.  If there is any way you can come, you will be in for a treat.  The Maine Attraction is amazing, if I do say so myself!
"Rainy Twilight," 10 x 8" acrylic on linen, copyright Joan Cole

(NOTE:  These are three of the paintings that I've sold at the show.)

Saturday, October 20, 2012

Opening night of The Maine Attraction felt like Christmas morning to me.

Yesterday was New Year's eve!  Both were memorable occasions!

All the preparation that goes into getting ready for Christmas is what we had experienced getting our paintings and photographs ready for opening night Thursday.  The true joy of Christmas morning!  The REAL gift is our loved ones--gathering with them, dining with them, and opening our hearts wider than the other 364 days of the year.  That's what our opening felt like to me.

So many came to finally see the work we had talked about producing during our week-long trip to Maine.  From Massachusetts, Rhode Island, New York and Long Island, art lovers came to see our art, to celebrate its creation, and to share in our joy.  Some came from as far away as Nevada!  That is LOVE!

Many who couldn't attend the opening came yesterday--despite the rainy, blustery weather.  Thank you ALL for that.

Last evening's round table plein air discussion was one of the highlights of my day.  We had brought our plein air equipment to the gallery for "show and tell."  Jan began by recounting the experiences we had the day we all painted at Schoodic Point.

Claudia explained more in depth about her painting "Artist Painting, Schoodic Point," of me painting in front of her.  She had decided before beginning that the focal point would be the crashing waves.  She explained the techniques used to ensure the viewer's attention went to the waves.  Then by putting me and my tiny painting in the lower right corner of her painting, the viewer's eye is pulled away from the focal point before returning to it.

I talked about my experiences creating my first and last paintings of the week:  "Mark Island Light" and "Tidal Falls."

Lou spoke of his adventures getting the perfect photos from atop the cliffs of Schoodic Point.  Daryl corroborated the harriness of THAT adventure!  I was most interested to hear how Lou managed to get the perfect portrait of a lobster with attitude--"Mr. Lobster," which sold at the opening.  It's wonderful!  I just love the gleam in that lobster's eyes!

We talked about the equipment and techniques we each use--as well as the diverse media:  oils, acrylics, pastels, gouache, casein, pastels, as well as pen and ink.  Claudia shared the mishaps that occurred and the laughter that knit our friendships together.

Members of our audience listened appreciatively and shared some of their own joys and frustrations at plein air painting.  We learned from each other.

The most exciting idea I learned was from Roxanne Steed of Mystic, Connecticut.  One of my own frustrations with myself is being so stingy with my paints.  Yesterday afternoon was a good example.  After getting my Gloucester easel all set up, I had blocked in a painting using up all the diverse bits of color left on my palette after finishing "The Saco River" (sold at the opening) earlier this week in my studio.  Why?  I don't know.  I just can't bear to throw out perfectly good paints.  After all, think of all the starving artists in ....?  It's illogical, ridiculous, and silly, but I take it as a challenge.

Leftovers aren't necessarily to be scoffed at; they can be delicious.  But admitedly, I know when I accept my own personal challenges to "lick my palette clean" before filling it again, I am also giving myself what can sometimes be a huge handicap.

Roxanne offered me a suggestion that had been given to her by another artist:  try painting a pound of pigment!  In other words, use a limited palette of 1 or 2 tubes of red, yellow, and blue.  Squeeze out 1/2 a tube of each, choose a small canvas, and paint only with those limited colors but USE ALL OF THEM!  I love this idea!  I can't wait to try it.  Perhaps by doing so, my inner artist will give my inner critic permission to indulge in "wasting" all those glorious colors.  I'm going to do it as soon as possible.  I'll let you know how I make out.  Thank you, Roxanne Steed, my hat's off to you!

When I told my husband about this great suggestion, he said, "Please don't try that while we're driving in the car!"  He was thinking of our trip to the Scoodic Peninsula when I just couldn't wait any longer and  painted "The Road to Maine" as we bumped along.

I hope you stop in to see the exhibition at 10 North Main Street in Essex today.  We'll be there till 7 PM.  You are invited to stop in from 2-4 to see Claudia Post demonstrate her use of pastels.  She is a fine teacher--I know first hand.  I always learn something from her.

If you've already visited our show and seen a piece that spoke to your heart, come back today or tomorrow from 10 - 6 and see if it's still there.  It just might have your name on it!

Friday, October 19, 2012

The Maine Attraction's opening night was a huge success!

We had a great turnout last evening for our opening of The Maine Attraction Exhibition at the Essex Art Association, 10 North Main Street in Essex.

The show continues through the weekend.  I hope you can come.  Tonight is our round table discussion from 7 to 9 PM about plein air painting.  Come learn all about the tricks we use when we paint on location.  You might like to try some of our tips when you paint outdoors. It's a very personal way to record your travels.



Look at all the great treats you missed last night.  We'll have some goodies for tonight too.  Come on out on this rainy day & bask in the wonder of our art.



Here's an idea of where we traveled in Maine.  It's just so awesome everywhere you look in Maine.  We love it!

Do you have beautiful art on your walls?  There's no time like the present to start collecting.  We do!

Thursday, October 4, 2012

Four of My Prize-winning Paintings Are Featured in Today's VALLEY COURIER!

"The Quiet Place" (Messerschmidt's, Westbrook, CT) is a 10 x 20" acrylic on canvas by Joan Cole.

"Moraine" is a 24 x 12" acrylic on gallerywrap canvas
 by Joan Cole.

The Quiet Place and Moraine were accepted into the Connecticut Women Artists Exhibit at the Slater Memorial Museum in Norwich during Sept.  The former is a scene familiar to many area residents:  the upper pond at Messerschmidt's on the Westbrook-Deep River line.   The latter may also be familiar to folks who enjoy swimming, fishing, or hiking at Chatfield Hollow State Park in Killingworth.

"Day's End" is a 24 x 12" acrylic on canvas by Joan Cole.






Day's End received an award from the Essex Art Association in their June exhibition Fluidity.







 
Crescent Lake Sunrise will be  on display in the New Britain Museum of American Art's 43rd Annual Juried Member's exhibit , Oct. 13- Oct. 28.
"Crescent Lake Sunrise" is an 8 x 16" acrylic on canvas by Joan Cole.



From October 18 - 21, my paintings of down east Maine, Acadia and the Schoodic Peninsula will be included in The Maine Attraction Art Exhibit   at the Essex Art Association Gallery, 10 North Main Street in Essex, CT, along with works by artists Jan Blencowe and Claudia Post and photographs by Lou Zucchi.   

I invite you to come for all of the activities that are planned.