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My Sweetie |
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Roger enjoys visiting with folks who stop by to watch me paint. |
The photographs in this post are courtesy of Marina Lamb of Biddeford, Maine. She and her husband Greg visited with Roger and me when I was painting at the boat ramp on the Saco River in Biddeford recently.
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Joan (with the block-in of my painting begun) and Roger, chief supervisor. |
I dedicate this blog post to Nikki Jacquin of Regina,
Saskatchewan, because she has asked me what I pack for plein air
painting. Marina's series of photos gives a good idea of some
essentials. My Gloucester easel is amazingly stable in windy weather. Because each of its three legs is separately adjustable, I am able to paint on uneven ground, even among rocks and boulders.
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You can catch a glimpse of a spray bottle in the bottom
left corner of this picture. I use it to spray a fine mist of water
over my acrylic paints to keep them "open." |
When I am painting in my studio or traveling by car, I
carry my paints in that aluminum "suitcase" that you see on the rock.
When I need to pare down my "stuff," I take only some of my paints with
me in my backpack (which I will already have lightened to make room for
the paints).
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This gives you a good idea of my setup. In a resealable Masterson
box, I work on a paper palette which has a damp sponge
pad beneath it to help keep the acrylics workable. I store my brushes
in a canvas holder which I can roll up and carry in my backpack.
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This is one of
the nicest pictures of me painting that I have. My photographer
friend Lou Zucchi will tell you that I am not good at smiling for a camera, and he's
right.
He'll verify that this is a "genuine" Joan smile. Kudos to you, Marina! Thank you again for your kindness in taking these photos and for your willingness to let me share them with my readers. |
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